THINGS RARELY REMAIN WHAT THEY ARE[point] THEY CHANGE — NOT NECESSARILY IN THEIR FORM[comma] BUT IN THE WAY WE READ THEM[point] — WHAT SOMETHING MEANS[comma] DOES NOT ONLY EMERGE FROM THE OBJECT ITSELF[comma] BUT FROM THE CONTEXT IN WHICH IT EXISTS[point] A SMALL SHIFT IS ENOUGH[comma] TO CHANGE PERCEPTION[point] — A SHOE CAN BE FUNCTION[point] OR GESTURE[point] OR BOTH AT THE SAME TIME[point] AN OBJECT CAN APPEAR CLEAR[comma] AND IN THE NEXT MOMENT FEEL CONTRADICTORY[point] THESE STATES DO NOT EXCLUDE EACH OTHER[point] THEY EXIST IN PARALLEL[point] — POOR[arzhan]GY WORKS WITHIN THIS MOVEMENT[point] NOT IN FIXED CATEGORIES[comma] BUT IN TRANSITIONS[point] CLOTHING[comma] OBJECTS[comma] SPACE[comma] IMAGE[comma] SOUND — THEY DO NOT EXIST SEPARATELY NEXT TO EACH OTHER[comma] BUT INTERACT[point] MEANING EMERGES WHERE THESE LAYERS OVERLAP[point] — IT IS NOT ABOUT MAKING THINGS CLEAR[point] IT IS ABOUT LEAVING SPACE[point] FOR MULTIPLE STATES[point] FOR DIFFERENT READINGS[point] FOR WHAT CANNOT BE IMMEDIATELY CLASSIFIED[point] — POOR[arzhan]GY UNDERSTANDS DESIGN AS SOMETHING OPEN[point] AS A PROCESS[comma] NOT A RESULT[point] AS SOMETHING THAT CHANGES[comma] DEPENDING ON WHO LOOKS AT IT AND IN WHAT CONTEXT IT TAKES PLACE[point] — WHAT REMAINS IN THE END[comma] IS NOT ONLY THE OBJECT[point] BUT THE TRACE IT LEAVES BEHIND[point] AND THE WAY IT CONTINUES TO BE THOUGHT[point]